What is a provincial performer? A rough-looking legend, an intense bad guy, clashes between families, a courageous woman whose skin is obscured to seem to be a town young lady, and a companion who attempts to tell wisecracks. This is precisely the exact thing a Tamil film has shown in its kin town-based scripts. Also, that is the very thing that Viruman follows in that timeline of rural culture.
Prakash Raj is a tahsildar who is misanthropic and a chauvinist. He is the sort of individual who thinks a lady in his home is dominatingly a child-making machine and ought to take note to a man’s pleasure. What’s more, he is the father of four children. How magnificent! His significant other (Saranya Ponvannan) sets herself ablaze after finding out about Muniyaandi’s undertaking. Their fourth child, Viruman (Karthi), knows reality and displays his deadly fury about killing his dad and won’t live with him. Years after the fact, Viruman gets back to his town to tell his dad to understand his errors.
Chief Muthaiah is known for belting out an endless series of provincial performers. In Viruman, he investigates the connection between a father and a child. While his past endeavours have been agreeable, Viruman is brimming with lifeless thoughts. Muthaiah presents clashes, which can add one more layer to the content. Nevertheless, he settles those clashes advantageously. For instance, Thaenu (Aditi Shankar) is the main lady who likes Muniyaandi and will battle for him. Viruman’s activities roll out her improvement in her position. Thaenu’s preference for Muniyaandi might have made her relationship with Viruman convoluted. Yet, no, Muthaiah took the path of least resistance.
The entertainers make an honest effort to lift the suffocating content of Viruman. In Viruman, Karthi is seen showing his Paruthiveeran-like appeal, which is a treat to watch. Furthermore, Prakash Raj is outstanding as a misanthropic dad. You, in a real sense, disdain his personality, and that is where he succeeds. Viruman is a showreel for Aditi Shankar, the daughter of renowned director Shankar. She has shown her acting, moving, and speech conveyance abilities. What’s more, they are generally acceptable.
Cinematographer SK Selvakumar utilises the standard sepia tone to demonstrate that this is a country performer. Some of Yuvan Shankar Raja’s melodies are hummable. Viruman might have been one more film with stereotypical components. However, it disintegrates with its disappointing screenplay.
