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During the 1971 Indo-Pak war, 300 Bhuj women risked their lives to retake the Indian Air Force air base in Bhuj, which was in operation to protect against incoming Pakistani air and ground attacks. Encouraged local women to adjust the runway on a wartime basis, Squadron leader Vijay Karnik (Ajay Devgan). The film recalls the crisis and the contribution of the brave civilians and the Indian Armed Forces.
Review:
The Indo-Pakistani War of 1971 in East Pakistan (now Bangladesh) during the Bangladesh Liberation War. As India helped East Pakistan to end the repressive rule of West Pakistan (now Pakistan), the PAK attacked the western part of India as a bargaining chip to trade against the occupied territories in the East. The Bhuj air base had a huge impact on a large IAF (Indian Air Force) area.
On the night of December 8, PAF (Pakistan Air Force) jets dropped more than 14 Nepalm bombs on the Indian Air Force airstrip in Bhuj. The impact rendered the runway useless and paralyzed Indian warplanes. The IAF expected the Border Security Force (BSF) to restore airspace, but time was running out, and labor was low.
It was at this time on December 8 that 300 villagers — mostly women — from Madhapur in Bhuj decided to repair the damaged air base within 72 hours and come forward to defend the country. Bhuj: In The Pride of India, director Abhishek Duttiah recalled these unsung heroes and the story of their incredible bravery. Thanks to Ajay Devgan for bringing this act of heroism to the screen. However, does the execution fit the purpose?
Over the years, the behavior of Indian war films has changed dramatically. From the heart-wrenching jingoism to the humanization of war veterans and seeing them as people first – we have come a long way. Uri too: Surgical Strike (2019) controlled personal loss and grief and showed the effects of war under high josh. War veterans are respected and respected, but they are no longer considered invincible. There is a certain honesty in their heroism. It is not here.
Bhuj producers make it clear in denial that the film is a work of fiction inspired by real events. It illustrates its dramatic approach to revisiting history. The film often forgets the nuances to play in the gallery. Though created in the contemporary, Dudaya’s expression is very true to the school of thought of the 90s, where everything is actually pronounced. Think, The Frontier of JP Dutta (1997). It also seeks hyper-nationalism. One could argue that everything in love and war is fair, right? Not really when there is a risk that a military action to enhance emotional character may seem irrational.
Singing loud bhajans with drums on the reconstructed runway violates the logic because it was considered a covert operation to avoid further bombings. In fact, it was reported that Bhuj women had to wear green and cow dung was used to hide it from PAF planes. One may not notice the play, but in a preface like this, trading logic at the expense of dramatization is hard to digest. The writing could have been more attentive.
The first half scattered bold texts without context with different characters in one character. The depiction of the events leading up to the attack on the Bhuj air base is erratic. However, the film recovers itself in the second half because that’s where the real action and drama unfolds. In it, this is a thriller that will impress you. The 120 players guarding the Vigacote Post and the plane defending the country stand in front of it on a truck to land – the action game, (realistic and unreliable) is on point. Aerial battle scenes also invest you.
Sound and visuals are created for the big screen. While VFX is definitely passable, the fight is efficient enough to take you to the battlefield. There are plenty of template slowo scenes of Ajay Devgan, and he gets exactly the intensity of his character. Sanjay Dutt, Sonakshi Sinha, Sharad Kelkar and Ammi Virk are good.
In the cameos, Navani Parihar starring former Prime Minister Indira Gandhi works well. If you can ignore the religious propaganda and focus only on the story, despite the initial hiccups, Buzz makes an interesting observation.
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