Critics Score:
3.0 / 5
Story: Bhaskar is a thief, in order to make a living. What happens when you hear a mother’s suggestion for her next robbery?
Comment: Hasith Goli and Raja Raja Chora made their debut, choosing to see it as a salvation story rather than a tool for showing heroism. After staying in Tollywood for a long time, every action taken has consequences, even if they mean pain for the main actors. More importantly, the way the story is told, almost like something in a Desi comic, makes the whole process interesting.
Bhaskar (Sree Vishnu) has almost no consciousness. When he gets up in the morning, he works in a Xerox store, where he likes to fall asleep and make money doing it. At night, he worked under the moonlight as a thief, stole from the well, and stored his trophies in the garbage can. Despite having the kind of family life that many people would strive for, he hopes to get more out of life and is willing to lie, cheat, and be cruel without apologizing. On the advice of an image of a mother, Anjamma (Gangavva), her predictions are often life-changing. He disguised himself for the next robbery and appeared to have won the jackpot. It changed her life, as Anjamma predicted, but not what she thought.
Raja Raja Chora also has various roles playing a role in changing Bhaskar’s life. There’s a software worker named Sanjana (Meghana) who has secrets of her own to hide, and Vidya (Simrann) is a law-abiding young mother to be independent from the men in her life. .William Reddy (played by Ravi Babu) is an IS who is looking for the perfect piece in the game, his childhood friend (played by Vasu Inturi) and a man who only wants to succeed in the real estate field rather than cure The patient’s doctor (Srikant Iyengar). Then there is the priest (Tanikella Bharani), who is telling the story of Valmiki to devotees and Xerox shopkeepers (Ajay Ghosh), who has his own confession.
Hasith’s debut work has many recommendations in the form of writing and narration. He had no penchant for antics, but he was true to the story in question and well demonstrated Baska’s journey from a stubborn person to a person responsible for his actions. It’s not just him; Sanjana and Vidya also get an in-depth study of who these women are. This movie is played as a modern take on folklore and, like this story, there is a moral to learn at the end. The number of characters in the movie may seem like too much on paper, but in the end, most of them are related to the story in question. It’s just that Srikanth Iyengar’s character seems out of place and doesn’t add much content to the story, even if he is trustworthy as always. Sree Vishnu and Megha brought their characters to life, but Simran was very direct and commendable. Ravi Babu and his characters also add to the quirks of the story, most of which have never been as naive as they seem.
Vivek Sagar’s music deserves special mention because he played a very good role in the production of this story. Although Hasith’s narrative is interesting, the running time does not seem reasonable. Once again, he chose not to rush for success, to give Bhaskar’s character room to breathe and return to his place, which may not satisfy everyone who is used to fast-paced movies. The first half of the story is fun and the second half is slow, but I will do my best to make you understand the story. The chapter may not be, but it ended up being the fun ride it promised! If the easy story that doesn’t take you too seriously is your cup of tea, this is for you.